Wall Decal – Images Credits

 

1 – Photo portrait of Elisabeth Mills Reid, c. 1870s

Credit: Bain News Service, Publisher. Mrs. Whitelaw Reid. n.d. Photograph. Retrieved from the Library of Congress, www.loc.gov/item/2014681154/

2 – Photo portrait of Helen Rogers Reid in 1958 when the family sold its controlling interest in The Herald Tribune. Not visible are her two sons, Ogden and Whitelaw

Credit: Allyn Baum / The New York Times (“Ogden R. Reid, 93, Herald Tribune Editor and Congressman, Dies”)

3 – Photo of the American Girls’ Art Club, renamed American Art Students Club. View of the iconic gates dividing the property and the newly-built back building

Credit: Reid Hall archives, cliché E. Pipon, c. 1913

4 – Photo of St. Luke’s Chapel, established in 1892. Also known as St. Luke’s in the Garden, or the Little Tin Church

Credit: Reid Hall archives, Studio GL Manuel Frères

5 – Photo of Jelka Rosen and Ida Gerhardi, probably at the Académie Colarossi (10, rue de la Grande-Chaumière, Paris 6e) c. 1892 – 1896

Credit: Wikimedia Commons:  Commons.wikimedia.org/wiki/File:Paris_years_-_Jelka_Rosen.jpg

6 – Photo of Elizabeth Taylor living in her "Tent City," on the Hubbard Farm in the summer of 1912, during her first visit to Rochester, Vermont

Credit: Dunn, James Taylor. "North Hollow Haven." Vermont Life, vol. 4, no. 3, Spring 1950, p. 53. Retrieved from Internet Archive

7 – Photo of Elizabeth Taylor’s “The Anglican cathedral and mission house at Fort Simpson seen from the river,” sketch, July 1892

Credit: Vanast, Walter, ed. Bird in the Bush: American Artist Elizabeth Taylor’s Summer Journey to the MacKenzie and Western Arctic, 1892. Mc Gill, 2011 draft, p. 128. Retrieved from Academia.edu

8 – Photo of Florence Esté’s “Arbres au clair de lune,” pastel, watercolor and gouache on blue paper. private collection, n.d.

Credit: Christie’s Auction House: christies.com/lot/lot-6326700

9 – Photo of Florence Esté’s “Paysage avec arbres dans les champs,” graphite, black chalk, watercolor and gouache, n.d. 

Credit: Mutual Art: mutualart.com/Artwork/Paysage-avec-arbres-dans-les-champs/4DDE2101F110A54B

10 – Photo portrait of Janet Scudder with her “Feminine Victory," symbolizing the great work done by women throughout the world during WWI

Credit: Harper's Bazaar, October 1917, p. 56

11 – Photo portrait of Julia Morgan in her Paris Studio, c. 1898

Credit: Julia Morgan Papers, Special Collections and Archives, California Polytechnic State University

12 – Photo portrait of Florence Lundborg painting, c. 1917 – 1918

Credit: Photograph retrieved from National Archives Catalog, p. 3

13 – Photo portrait of sculptor Meta Warrick Fuller, c. 1910

Credit: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library digital collections: digitalcollections.nypl.org/items/049cae30-eebb-0133-415a-00505686a51c  

14 – Photo of Elizabeth Nourse’s Self-Portrait, oil on canvas, 1892

Credit: Wikipedia: en.wikipedia.org/wiki/Elizabeth_Nourse 

15 – Photo portrait of Leonora S. Raines, c. 1904

Credit: The Atlanta Journal, May 15, 1904, p. 23

16 – Photo portrait of Alice Rumph, c. 1900s

Credit: Birmingham Public Library Digital Collections, bplonline.contentdm.oclc.org/digital/collection/p4017coll6/id/1023

Featured in Ingham, Vicky L. Art of the New South: Women Artists of Birmingham 1890-1950. Birmingham Art Historical Society, 2004,  p. 125

17 – Photo of Alice Rumph’s etching of the iconic property gate of Reid Hall seen from the second garden,  c. 1902

Credit: Columbia Art Properties, Reid Hall

18 – Photo of Carrie Hill’s poster for the 1912 exhibit of the Birmingham Art Association.

Credit: The Birmingham News, September 3, 1912, p. 10

19 – Photo of Alice Rumph’s Dutch Girls, poster for the 1908 exhibit of the Birmingham Art Association.

Credit: Birmingham Post-Herald, April 17, 1908, p. 7

20 – Photo of Alice Rumph’s poster for the Birmingham Art Association's Music Festival, 1908.

Credit: Birmingham Post Herald, December 5, 1908, p. 7

21 – Photo portrait of Katherine M. Cohen, c. 1893.

Credit:: Cohen's "Life of Artists," in Mary Kavanaugh Oldham Eagle's The Congress of Women: Held in the Woman's Building, World's Columbian Exposition, Chicago, USA, 1893. Chicago, Ill: Monarch Book Company, 1894, p.  4

22 – Photo of Anne Goldthwaite, Self-portrait, oil on canvas, c. 1920

Credit: Rhode Island School of Design Museum, risdmuseum.org/art-design/collection/self-portrait-20395?return=%2Fart-design%2Fcollection%3Fsearch_api_fulltext%3DGoldthwaite%26op%3D 

23 – Photo portrait of Lucille Douglass, hand-tinted, n.d.

Credit: Leona Templeton Caldwell Collection, Archives Department, Birmingham Public Library Digital Collections, bplonline.contentdm.oclc.org/digital/collection/p4017coll6/id/510/

Featured in Ingham, Vicky L. Art of the New South: Women Artists of Birmingham 1890-1950. Birmingham Art Historical Society, 2004, p. 90 

24 – Photo of Lucille Douglass’ Grand Stairway – Angkor Wat, etching, c. 1927

Credit: The Metropolitan Museum: metmuseum.org/art/collection/search/364586 

25 – Photo of Lucille Douglass’ “Angkor Wat at Evening,” etching, c. 1927

Credit: The Metropolitan Museum: https://www.metmuseum.org/art/collection/search/364580

26 – Photo portrait of Alice Morgan Wright in her Paris studio, with her sculpture "Force," c. 1910

Credit: Alice Morgan Wright Papers, Sophia Smith Collection, Smith College: smith.edu/libraries/libs/ssc/popups/popamwforce.html 

27 – Photo portrait of Marguerite Thompson Zorach in her studio, n.d.

Credit: Wikipedia: en.wikipedia.org/wiki/Marguerite_Zorach/SAAM: americanart.si.edu/artist/marguerite-zorach-5566

28 – Photo of Marguerite Thompson Zorach’s  “The Garden,” oil and charcoal on canvas, 1914

Credit: Portland Museum of Art: collections.portlandmuseum.org/objects-1/info?query=disp_maker_1%20all%20%22Marguerite%20thompson%20Zorach%22&sort=9&page=15

29 – Photo portrait of Malvina Hoffman, straddling her 15-foot high sculpture,  "England," at Bush House, London, 1925

Credit: Malvina Hoffman, Yesterday Is Tomorrow: A Personal History. Crown Publishers, 1965, p. 218. Retrieved from Internet Archive

30 – Photo portrait of Blondelle Malone painting in a garden, n.d. 

Credit: University of South Caroliniana Library: archives.library.sc.edu/repositories/3/resources/91 

31 – Blondelle Malone, Garden of the Girls’ Art Club seen from the second courtyard through the iconic property gates, oil on canvas, 1913

Credit: Columbia University art properties, Reid Hall

32 – Photo portrait of Grace Hill Turnbull in her studio in Guilford, Baltimore, June 12, 1960

Credit, Richard Stacks photographer, Baltimore Sun

33 – Photo of Grace Hill Turnbull’s “Torso plaster,” 1930

Credit: Grace Hill Turnbull, Chips from my Chisel, Richard R. Smith, 1953, p. 178. Retrieved from Internet Archive

34 – Photo of officers recovering at Hospital #3. The man in the lead is blind. August 1919

Credit: Hine, Lewis Wickes, photographer. Photograph. Retrieved from the Library of Congress, loc.gov/item/2017682165.

35 – Photo of the façade of 4 rue de Chevreuse as American Military Hospital #3, 1918

Credit: National Library of Medicine, item A011447

36 – Photo portrait of Elisabeth Mills Reid speaking to a wounded American officer, during her visit to American Military Hospital #3, with Colonel Gibson, ARC commissioner for France, August 1918

Credit: Hine, Lewis Wickes, photographer. Retrieved from the Library of Congress, loc.gov/item/2017682162 

37 – Photo portrait of Miss Sophie T. Alexander of Memphis, Tennessee, an expert dietician of the American Red Cross in the "little kitchen" of the American Military Hospital No. 3 for officers, Rue de Chevreuse, Paris. Miss Alexander does practically all the cooking marketing for patients in this hospital who are on a special regime. The picture shows her making lemonade for the afternoon tea which is served every day

Credit: Hine, Lewis Wickes, photographer. Photograph. Retrieved from the Library of Congress, loc.gov/item/2017682321

38 – Photo portrait of Grace Gassett, 1910

Credit: Art Institute Chicago: Elizabeth Buehrmann, photographer 

artic.edu/artworks/123687/miss-grace-gassett-painter

39 – Grace Gassette, patent of an articulated device for holding and supporting the ankle in any desired position as a means of curative treatment in cases of fracture or ankylosis of the ankle, or for the remedy of muscular deviations. Patented July 5, 1921

Credit : Grace Gassette, patents.google.com/patent/US1383928A/en?inventor=Gassette+Grace&page=1

40 – Photo of Anna Ladd in the Studio for Portrait Masks, holding her painting palette, standing behind a French soldier who has been fitted with one of her masks, 1918

Credit: Library of Congress: loc.gov/item/2007676090 

41 – Photo of the plaster casts for the masks created by the Studio for Portrait Masks, headed by Anna Ladd, 1917 – 1919

Credit: Library of Congress: American National Red Cross photograph collection loc.gov/item/2017672982

42 – Photo portrait of Dorothy F. Leet, Director of the American University Women's Club at her desk, 1927

Credit: Paris-Acme Newspapers, Reid Hall archives

43 – Photo of the second courtyard of the American University Women’s Club (also called the American University Women’s Paris Centre) c. 1928

Credit: E. Pipon, Reid Hall archives

44 – Photo of one of the Salons in the American University Women’s Club. Several pieces of furniture are still in use at Reid Hall

Credit: Photographer unknown, Reid Hall archives

45 – Photo portrait of Hope Mirrlees and Jane Harrison in Paris in 1915

Credit : Newnham College Archives, Cambridge University: newn.cam.ac.uk/newnham-news/forgotten-newnham-poet-be-celebrated-bbc-documentary

46 – Photo of Jane Harrison and Hope Mirrlees’ The Book of the Bear: Being twenty-one tales newly translated from the Russian. London: The Nonesuch Press, 1926 

47 – Photo portrait of Helen Waddell, c. 1920s

Credit: The dictionary of Ulster Biography: newulsterbiography.co.uk/index.php/home/viewPerson/1670

48 – Photo portrait of Constance Winchell

Credit: Wikipedia: en.wikipedia.org/wiki/Constance_Mabel_Winchell

49 – Photo portrait of Ida Rolf

Credit: movementandrolfing.com/en/dr-ida-rolf

50 – Photo Portrait of Angela Gregory with the Beauvais Head of Christ (1926–28) in Antoine Bourdelle’s studio, Paris, France, 1927

Credit: Angela Gregory Papers, Louisiana Research Collection, Tulane University. 

51 – Photo portrait of Nadia Boulanger

Credit: Archives of the Centre Nadia et Lili Boulanger (CNLB)

52 – Photo portrait of Margaret Butler 

Credit: Unknown photographer (1918-1930). Photographic paper, silver, photographic gelatin. Museum of New Zealand Te Papa Tongarewa CA000259/001/0001/0004

https://collections.tepapa.govt.nz/object/1296224

53 – Margaret Butler "La Nouvelle Zélande," bronze bust, 1938

Credit: Museum of New Zealand Te Papa Tongarewa

https://collections.tepapa.govt.nz/object/38034

54 – Margaret Butler, bust of Rosalie, bronze, 1926. In Paris, Angela Gregory became a regular at Chez Rosalie, a small restaurant in Montparnasse owned by Rosalie, a former model for artists like William Bouguereau. In 1926, Gregory sculpted and cast a bronze bust of Rosalie, capturing her likeness. This bust is now part of the collection at the Museum of New Zealand Te Papa Tongarewa

Credit: Stocker, Mark. "Pakeha Praxiteles: The Sculpture of Margaret Butler." Melbourne Art Journal, no. 6, 2003, p. 99.

55 – Photo portrait of Mary Boyle, c. 1920s

Credit: ArqueologAs: arqueologas.es/boyle-mary-e

56 – Photo portrait of Suzanne Cassou de Saint-Mathurin

Credit: Musée d’archéologie nationale – Fonds Suzanne Cassou de Saint-Mathurin

musee-archeologienationale.fr/collection/objet/suzanne-cassou-de-saint-mathurin

57 – Photo of Suzanne Cassou de Saint-Mathurin, Mary Boyle, and Henri Breuil at Roc-aux-Sorciers, 1947

Credit: Musée d’archéologie nationale – Fonds Suzanne Cassou de Saint-Mathurin

58 – Detail of a carved and engraved frieze at the Roc-aux-Sorciers, Angles-sur-l'Anglin in Vienne, France

Credit: Musée du patrimoine museedupatrimoine.fr/roc-aux-sorciers-d-angles-sur-l-anglin-vienne/2035.html